Sathi Ki Shreemati | Hot and Romance | Nepali Short Film

Posted by -Nepali Blogger  
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Cast Priya Lama , Dinesh and B.B. Rana 
 Camera : Nabu 
 Editing : Rubina 
 Direction : Dawali Bhai 

This movie is about a man who goes to abroad to earn money. The two friends who are from Kathmandu Nepal works together in abroad. It looks like they are in Qatar. One of them is coming to Nepal, his home in holidays. Next one tell to bring some parcel to his wife. He gives cell no of his wife. After the boy comes to Kathmandu he contact his friends wife she ask him to come to Jorpati. After they meet, he gives her a parcel given by his friend. After her insist he goes to her room. It's too late she ask him to stay in her room. They two are alone. The girls doesn't have any other family members with her. They two sleep in different bed. The girl wake up at midnight she feels that he was also not sleeping. After that she ask him to sleep in her bed with her. 

This movie is all about believe. 

The main film to be delivered under a private standard was Maitighar, which was discharged toward the end of 1966 by Sumonanjali Films Pvt. Ltd. In spite of the fact that it was a Nepali motion picture, it had numerous Indians contributing toward its making. Mala Sinha assumed the lead part, alongside Chidambar Prasad Lohani, whom she later wedded. It had unique appearances of Sunil Dutt and entertainer Rajendra Nath. Coordinated by B.S. Thapa and music scored by Jaidev, a veteran maestro, it had Lata Mangeshkar, Asha Bhosle, Usha Mangeshkar and Manna Dey, every one of whom were built up Indian vocalists, doing the playback singing with Prem Dhoj Pradhan, C.P. Lohani and Aruna Lama. 

The Nepal government set up the Royal Nepal Film Corporation in 1971. Mann Ko Bandh was the main film created by the organization; Jay Rana was the executive. Nati Kaji and Shiva Shankar were the music authors of the melodies. Golden Gurung scored the mood melodies. It debuted in 1973 in Kathmandu. Mann Ko Bandh was trailed by Kumari (the primary Eastman shading Nepali film) in 1978, Sindoor in 1980, and Jeevan Rekha in an arrangement. Their prosperity opened up the parkway for private gatherings to go into filmmaking as a modern attempt. 


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